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{"id":808,"date":"2020-07-16T01:06:24","date_gmt":"2020-07-16T01:06:24","guid":{"rendered":"https:\/\/cedtechjournals.org\/?p=808"},"modified":"2020-07-16T01:06:27","modified_gmt":"2020-07-16T01:06:27","slug":"derek-walcott-and-the-drama-of-ambivalence","status":"publish","type":"post","link":"https:\/\/cedtechjournals.org\/2020\/07\/16\/derek-walcott-and-the-drama-of-ambivalence\/","title":{"rendered":"DEREK WALCOTT AND THE DRAMA OF AMBIVALENCE"},"content":{"rendered":"\nABSTRACT<\/strong><\/p>\n\n\n\nThis study is on Derek Walcott\u2019s drama. It focuses on the underlying currents that propel Walcott into the writing and production of the drama of ambivalence, which thematic pre-occupations include: race and colour, history and colonialism, selfhood and identity, exile and alienation, gender and language, all which exist in dual mode. These divergent themes are extradited into Ti-Jean and His Brothers<\/strong> and explicated upon, so as to bring about a wider understanding of Derek Walcott as a writer of no mean repute, and the larger Walcottian dramatic canon.<\/p>\n\n\n\n